Speakers

This year’s lineup of over 60 speakers, returning vets and newbies alike, are here to deliver an incredible experience for all ShutterFesters! 

Shutterfest 2027 Speaker Lineup

Westley Jerdon

Specialty: Weddings, Hybrid Photo + Video

Wes Jerdon runs Westley Leon Studios, an off-beat wedding photo and video studio in Niles, Michigan, alongside his wife and business partner, Chelsea.

Since 2012 Wes has been capturing weddings, and over 700+ weddings he and Chelsea have built a candid, story-driven approach that captures the day as it actually felt, with no stiff posing and no forced moments. They lead an associate team trained on the same hybrid framework, shooting 55+ weddings a year.

Wes & Chelsea are also big nerds. D&D, Nintendo, Dungeon Crawler Carl, Pokemon, retro-gaming, whatever. We love that sh*t, haha.

Unrepentantly nerdy and endlessly enthusiastic, Wes loves showing photographers that adding video isn’t nearly as complicated as the internet makes it look.

Follow Westley Jerdon:

Website | Social Media

Westley Jerdon’s Classes:

The Art of the Drag (Shutter, That Is)

Hands-On   

Beginner, Intermediate   

Class Description:

You might know me as the guy who shoots the first party every year at ShutterFest. I’ve taught an after hours session on it before, but this is the full class on how I actually pull it off, and the best part is you can take it straight to the party that same night and put it to work. I’ll be there too, so find me if you’ve got questions.

The dance floor is where most photographers play it too safe, and it’s where some of the best candids and real emotion of the whole night live. You can’t hang back at the edge of the room with a long lens and a blurry background and call it a dance floor photo. Bokeh isn’t emotion. If you want a frame that feels like the night felt, you have to be in it, close to the action, not holding back. GET UP IN THAT SH*T!!!

We always lock clean coverage first, that’s always the rule, then spend our time where it counts. I’ll show you how I switch on the fly between bounce flash, direct flash, and the shutter drag, and when each one is the right call. We’ll cover shutter speed, flash power, the settings I’m running, and the gear that matters versus what you don’t need to buy.

And this isn’t just a reception trick. Once you understand how ambient light, flash, and a slow shutter work together, the same thinking opens up creative portraits and plenty of other work. You’ll leave able to own a dance floor, and understanding light in a way that follows you everywhere.

WHO IT’S FOR: Intermediate shooters. You should already be comfortable in manual and know your way around a flash. Beginners are welcome but this isn’t a class on “how to turn your flash on”. Get at least slightly comfortable with that before coming.

FORMAT: Hands-on. After a quick demo I’ll split everyone into small groups and get you on the floor with the models, so you leave having shot it yourself, not just watched me do it.

What to Bring to Class:

A camera you can run in manual. A flash that does rear curtain sync. A wide angle lens, 24mm or wider, prime or zoom. An off-camera trigger if you shoot that way (on-camera works too but I prefer off camera). Fresh batteries and empty cards, because we shoot a lot.

Primary Topics: Composition, Lighting – Creative and Special Effects, Lighting – Off-Camera (Flash or Constant)
There's still time to get

Early Bird Tickets

April 22-25 2024 | St. Louis MO.

SKILL LEVELS

Beginner: Just starting out or relatively new to a given subject matter. Basics will be covered and the course will move at a slower pace. The instructor will spend a little more time trying to explain concepts to ensure everyone is following. On a scale of 1-10 consider this level a 1-3 on the given topic.

Intermediate: Has a grasp of some basic concepts. This course level will move at a faster pace and assume you have basic knowledge covered on the given subject matter. On a scale of 1-10 consider this level a 4-6 on the given topic.

Advanced: You have working knowledge of the given subject matter, but are looking for more fine-tuning and some advanced topics to take your work to that next level. DO NOT expect instructors to explain basic concepts in this course. On a scale of 1-10 consider this level a 7-10 on the given topic.

Class Types

Hands-On

These are shooting courses. You will be shooting and working. Bring your camera, gear, or whatever you need for the course and to create create images. Expect to have some level of shooting.

Live Demonstration

These are instructor-led courses where you will see a live demonstration of what the instructor is teaching. You can still bring your camera to these courses and you can photograph, but the goal of the course is NOT for you to shoot or to ensure you get a shot. The goal is for you to see how and why the instructor does what he/she does in order to get the final result.

Lecture

These are non-shooting courses. Typically classroom-based, bring your laptop and notepad and focus on learning!