Speakers

This year’s lineup of over 60 speakers, returning vets and newbies alike, are here to deliver an incredible experience for all ShutterFesters! 

Shutterfest 2027 Speaker Lineup

Tim Bradshaw

Specialty: Conceptual/Storytelling

Tim is a photographer from South Central Missouri who specializes in conceptual/composite photography. Award winning in 4 states for his digital artistry and storytelling, his unique directorial approach to posing and connecting to his subjects allows him to capture raw emotion in every frame.

Follow Tim Bradshaw:

Website | Social Media

Tim Bradshaw’s Classes:

Shooting With Intent: Directorial Psychology and the Death of Spray-and-Pray Portraiture

Hands-On   

Intermediate, Advanced   

Class Description:

Let’s be honest: if your current directorial strategy is to hold down your shutter button at 14 frames per second and pray to the photography gods that a genuine human emotion accidentally happens between the blinks… you aren’t running a portrait session. You’re playing a lottery. And your hit rate is terrible. True portraiture requires absolute intentionality. This intensive hands-on class is the aggressive intervention you need to cure chronic “spray-and-pray” habits. First, you will watch a brief live demonstration that strips away the guesswork. I will show you how to use interpersonal psychology, immersive storylines, and even music to build instant, unshakeable rapport, read micro-expressions, and focus entirely on the exact moment to hit that shutter button.
Then, the safety net is gone. The room will be divided into structured shooting bays. You will step up to a bay, draw a challenge card detailing a target emotion/storyline, and get a grand total of three frames to capture the definitive shot. No filler, no safety nets, and absolutely no follow the leader or over the shoulder shooting. Each bay features a dedicated model and a completely locked-in lighting configuration (constant light or locked strobes). No gear tweaking allowed. No light adjustments. We remove the technical distractions entirely so attendees are forced to look their subject in the eyes. We will reconvene at the end of class time for Q&A/Feedback.

What you will learn:
How to replace rigid physical posing with action-oriented psychological prompts that yield unposed, cinematic expressions.
How to use non-visual tools (targeted storylines, vocal pacing, and audio tracks) to systematically extract vulnerability and character.
How to look through the viewfinder and read facial transitions so you only fire at the absolute peak of narrative weight.

Gear to bring: Camera body, portrait lens (24-70mm, 50mm, or 85mm), and an empty memory card.

What to Bring to Class:

Attendees must have a solid grasp of manual exposure controls. Each of the Challenge Cards will have a suggested exposure setting ISO/Aperture/Shutter Speed. Not required, but In-Camera metering would be helpful. (Remember you only have 3 frames to get the shot, this includes test fires) This class does not cover basic camera settings; it focuses entirely on the psychological art of subject direction and intentional capture, everything you do before you lift your camera is going to matter here.

Required Gear:
DSLR or Mirrorless Camera body.
A versatile portrait-length lens (e.g., 24-70mm, 50mm, or 85mm).
An empty memory card.
A “Can-Do Attitude”

Mandatory Setting Requirement: You must know how to switch your camera’s drive mode out of “Continuous High Speed” and into “Single Shot.” Continuous burst shooting is strictly banned in this workshop. If you shoot more than instructed, you will be asked to sit out the hands-on portion.

Primary Topics: Camera Basics, Client Communication, Posing
There's still time to get

Early Bird Tickets

April 22-25 2024 | St. Louis MO.

SKILL LEVELS

Beginner: Just starting out or relatively new to a given subject matter. Basics will be covered and the course will move at a slower pace. The instructor will spend a little more time trying to explain concepts to ensure everyone is following. On a scale of 1-10 consider this level a 1-3 on the given topic.

Intermediate: Has a grasp of some basic concepts. This course level will move at a faster pace and assume you have basic knowledge covered on the given subject matter. On a scale of 1-10 consider this level a 4-6 on the given topic.

Advanced: You have working knowledge of the given subject matter, but are looking for more fine-tuning and some advanced topics to take your work to that next level. DO NOT expect instructors to explain basic concepts in this course. On a scale of 1-10 consider this level a 7-10 on the given topic.

Class Types

Hands-On

These are shooting courses. You will be shooting and working. Bring your camera, gear, or whatever you need for the course and to create create images. Expect to have some level of shooting.

Live Demonstration

These are instructor-led courses where you will see a live demonstration of what the instructor is teaching. You can still bring your camera to these courses and you can photograph, but the goal of the course is NOT for you to shoot or to ensure you get a shot. The goal is for you to see how and why the instructor does what he/she does in order to get the final result.

Lecture

These are non-shooting courses. Typically classroom-based, bring your laptop and notepad and focus on learning!